Lawrence G. Paull was born in 1938 in USA. Paull is best known for his work on Ridley Scott’s sci-fi film Blade Runner (1982). This movie is considered as one of production design breaking points and is the project Paull was nominated for Academy Award for production design. In 1982 Oscar went to creators of Ghandi, but Paull won BAFTA together with futurist Syd Mead and VFX inventor Douglas Trumbull. Three years later, Paull was nominated for BAFTA again for his another famous movie – Back to the Future (1985). As majority of production designers, Paull has architecture background, he graduated from architecture faculty of University of Arizona. Shortly after, he discovered that conservative world of architecture is not for him and after seeing Dr. Zhivago (1965), movie that was being set in deep frozen Russia, but being shot in hot spain, movie significant for its art direction, he decided films are his future. in 60s Paull worked as draftsman on numerous productions before he actually started to work as set designer and art director. Later in 70s he made his first movie as production designer called Little Fauss and Big Halsey (1970). Paull was also teaching production design program at Los Angeles film school since 1999 for a short period of time and is a professor at the Chapman University’s Dodge College of Film and Media Arts.
Category Archives: Lawrence G. Paull
Back to the Future
I guess I dont have to introduce this iconic film released in 1985 under direction of Robert Zemeckis, designed by one of the best production designers ever – Lawrence G. Paull. One of the most significant movie vehicle was designed for this series: Back to the Future’s DeLorean.
Period movies are always challenge for production designers as much as fun. When you are about to connect 50s, 80s and near future – it sounds like a lot of fun.
Motive of time, clock and time traveling goes through all the story of Back to the Future. Obviously, its the main plot, but even in the brilliant opening sequence, that was created like one continuous storytelling shot, you can see importance of time for dr. Emmett Brown and get introduced to the story just with props and set dressing of Brown’s lab.
Besides all the gadgets dr. Brown has in his house in 80s or all the useless inventions in 50s, the thing that interests us the most is obviously the DeLorean time machine. Production designer Larry Paull and executive producer Steven Spielberg hired veteran of movie design, former Disney animator, concept artist Ron Cobb, man who stands behind designs for movies such as Alien, Star Wars, Indiana Jones and others.